They are now available for online viewing tables of ABC Week 2015 which took place from 13 to 15 May in theBrazilian Cinemain Sao Paulo.Semana ABCé uma oportunidade única no país de reunião de personalidades de diversas áreas do cinema refletindo sobre o seu mercado de trabalho.Promoted by theBrazilian Association of Cinematography, theABC Weekis a unique opportunity in the country meeting of personalities from different fields of cinema reflecting on its labor market.Also providing debates, conferences, panels and master classes that directly contribute to the progress of Brazilian cinema.
This year the sound debate was present mainly in the following tables:
Introduction to Sound on Audiovisual (TV Series, Long, Short and Documentary) -"Reading the script, listen to the director, which we can express through sound.All sounds are already in Direct Sound?Use and problematic.The importance of voice. "WithTide Borges and Carlos Abbate .
17h - Introduction to Sound on Audiovisual (TV Series, Long, Short and Documentary) "Reading the script, listen to the director, which we can express through sound.All sounds are already in Direct Sound?Use and problematic.The importance of voice. "
The purpose of the event is to sensitize public authorities and society in general about the negative impacts of noise and sound vibrations on human health, thus creating effective guidelines for legislative and administrative action.
The event is open to the public and free, but space is limited and requires the completion of a "registration form".
William Farkas: How did you get in "The city is one"?Do you have a previous relationship with Adirley?
Guile Martins: Adirley met in 2006 during a film festival in Florianopolis.Sobre a Maré”.Our short were being displayed, he with "RAP - The corner of Ceilândia"and I with"On the Tide".We talked a lot, but I think more about football than cinema.We met again in 2009 at the Festival of Brasilia, I was there presenting the documentary "Tarabatara"in which I direct sound and sound editing.At that time I know Ceilândia take waterfall bath in beautiful waters of Goiás, something that made me very happy, aired a little anguish of being in Brasilia, the pilot plan, an unknown and inhospitable place for me.In Ceilândia I heard the sound of cars, sellers of the fair, people walking on the streets, soccer games on every corner, finally, a human landscape and sound very different from the master plan and the film festival circuit.That was when I attended the "Day of Strike"in the house of Adirley and talked more about sound, how to enjoy the sounds of Ceilândia and other broken without resorting to the use of" shooting sound and sirens in the distance, "that both the bothered as an aesthetic proposal.We talk about the sounds that fade over time, the knife sharpener, one biju vendor ...
”, acho que já é um caso completamente diferente.William Farkas: About "The City is just a" I think it's a completely different case.Some try to recover in post-production, some things, ensure intelligibility of some plans and make a mix that hold the film., em que você tem uma condição de escuta bastante amplificada em que todos os eventos soam, produzem sonoridades que num modo de produção documental, muito dificilmente seriam gravados.At times, the film flirts with an aesthetic of a hyper-realistic sound , where you have a hearing condition rather amplified in all events sound, produce sounds that in a documentary mode of production, would be very unlikely recorded .I wonder then if that sound hyperrealism aesthetics was a hint ofAdirley.
Fernando Henna: Who can answer you with the same property is theGuile Martins.Than came here, this car key thing for example had in image editing, it must have been an agreement between them.What is enough is a smart super sound editing.Very few sound bank, all sounds captured during the film, in the same locations.I think when Guile made the sound ...
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