2015 Jan 15 2015

Interview with sound director José Luis Díaz

JLD

ABC . I am associated with the Brazilian Association of Cinematography since 2000. In 2002, we held in Rio de Janeiro the first meeting of sound professionals within the ABC . For us to perform an activity in Sao Paulo in the same year, I invited Carlos Klachquin , who was the Dolby Consultant for Latin America, to give a talk on the history of sound in cinema technology. Soon after he joined ABC and did many things together. In 2010, thinking about who we could invite from outside of Brazil, for a sound debate in Week ABC . O Segredo dos Seus Olhos “, ganhador do Oscar de Melhor Filme Estrangeiro daquele ano. Carlos suggested me José Luis Díaz , and he told us a little about the last job he had held the Sound Direction " The Secret in Their Eyes ", Oscar winner for Best Foreign Film of the year.

8º Festival Cinemúsica em 2014, em Conservatória, RJ. In the following years we continue to match, when he was invited to participate in the Second National Meeting of Brazilian Cinema Sound Professionals , held at 8 Cinemúsica Festival in 2014, in Registry, RJ. There, he and Guido Berenblum , who had been his pupil, held a discussion on the sound in the Argentine cinema. It was a great opportunity for, through sound, could strengthen the ties between our cinematography.

Relatos Selvagens , filme de enorme sucesso de público na Argentina e atualmente em cartaz no Brasil, onde também tem feito sucesso. The work on which José Luis Díaz introduced us was on the sound performance of Wild Reports , huge blockbuster film in Argentina and currently on display in Brazil, where it has also been successful. José Luis has a YouTube channel where generously provides information about sound in the cinema. Câmara Argentina de Provedores e Fabricantes de Equipamentos de Radiodifusão ) no final de outubro de 2014. He recently uploaded 4 videos filmed during a lecture that coordinated during exposure of the CAPER ( Argentina Chamber of Providers and Broadcasting Equipment Manufacturers ) in late October 2014.

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2015 Jan 5 2015

The Sound "Wild Reports" - Part IV

Relatos Selvagens ” (Damian Szifrón, 2014) que ocorreu na CAPER 2014 ( Câmara Argentina de Provedores e Fabricantes de Equipamentos de Radiodifusão ). Falamos um pouco de dublagens. Fourth and last part of the conversation about the sound of " Wild Reports "(Damian Szifrón, 2014) that occurred in CAPER 2014 ( Argentine Chamber of Providers and Broadcasting Equipment Manufacturers ). We talked a little voiceovers.

The dialog editor of "Salvaje Reports" was Nahuel Palenque . The editing tasks were so laborious that another editor, Matías Vilaro, was responsible only for adjustment of voiceovers, not to further burden Nahuel. During the conversation not quoted Nahuel Palenque. But here I give you credit.

José Luis Díaz , at the beginning of the conversation, shows an excerpt from the film " Vino for Robar ". José Luis draws attention to the phrase "is not my fault," where you can hear background noise (the traveling car wheels). Continue reading


2014 Dec 23 2014

The Sound "Wild Reports" - Part III

Câmara Argentina de Provedores e Fabricantes de Equipamentos de Radiodifusão ). Third part of the conversation about the sound of " Wild Reports "(Damian Szifrón, 2014) that occurred in CAPER 2014 ( Argentine Chamber of Providers and Broadcasting Equipment Manufacturers ).

Gustavo Santaolalla briefly tells his relationship with "Wild Reports" in a video sent to the conference. He also talks about basic editing music.

José Luis Díaz says that music is an important element in a movie. The charge of music "Wild Reports" Gustavo Santaolalla was, who lives in Los Angeles. So he was not present at the conference and sent a video talking about the work process in the film. His first contact with the film was when I was on vacation with his family in Mendoza - Argentina, when the producer was able to contact him. Months later, back in Argentina, Gustavo notes the stories of "Wild Reports" from the referral from a friend. After reading the book with tales of "Wild Reports", Gustavo asks his friend submit to Damian Szifrón because I wanted to be in the movie. Finally, in Belgium, the two met in person. At the time happened the festival of Ghent, music and theater festival, where Gustavo Santaolalla participated as a juror.

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2014 Dec 20 2014

The Sound "Wild Reports" - Part II

Câmara Argentina de Provedores e Fabricantes de Equipamentos de Radiodifusão ). O tema desta segunda parte foi o desenho sonoro de ambientes e efeitos. Quem fala sobre este assunto é o editor de som Gonzalo Matijas . Second part of the talk about the sound of " Wild Reports "(Damian Szifrón, 2014) that occurred in CAPER 2014 ( Argentine Chamber of Providers and Broadcasting Equipment Manufacturers ). The theme of this second part was the sound design environments and effects. Who talks about this is the sound editor Gonzalo Matijas .

José Luis Díaz , sound designer of the film, says the editor Pablo Barbiere worked hard. When he finished, the director followed by editing and changing the order of the stories within the film. And this work last long. When the director finished editing the material was for post-production sound and Gonzalo Matijas started making the design of environments and effects of the film (while Nahuel Palenque was editing dialogs).

Gonzalo says that one of the biggest challenges of the film was dealing with 6 different stories, each with its moments of narrative and independent outcome tension. In a normal movie, there are some key moments where the design of environments and effects are most required. In "Reports Salvaje" had 6 stories. Each with their narratives complications requiring more sound design work. The work of the direct sound to make sounds of toppings on location (wild track) greatly facilitated the work in post-production.

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2014 Dec 18 2014

The Sound "Wild Reports" - Part I

Câmara Argentina de Provedores e Fabricantes de Equipamentos de Radiodifusão ). First part of the conversation about the sound of " Wild Reports "(Damian Szifrón, 2014) that occurred in CAPER 2014 ( Argentine Chamber of Providers and Broadcasting Equipment Manufacturers ).

The film " Wild Stories "consists of 6 different stories whose motto violence. The theme of this first part was the direct sound capture. Who talks about this subject is Javier Farina , direct sound director.

Javier said that the fact that the film is made ​​up of 6 different stories brought an aggravating when the direct sound pickup. In a usual film, where there is only one central story with the same characters from start to finish, the technician direct sound ends well know every actor and it helps when planning the sound pickup. In the case of Wild Reports, the team had about two weeks to film each story, the difficulty was to try to meet a huge amount of characters in a short time. This made ​​the work during the filming was very dynamic. As if it was shooting a film 6 of a long-time space.

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