"T his is a book for someone who knows how to listen.It is common to find critics who see know, but it is very rare to find a critic who knows how to listen.And this is one of those cases, because when Natalia writes that "people are fragmented by the environment - the bodies insinuated more than show, as the characters whisper rather than speak truly," reads in a logical whisper of desire, the beliefs and social classes.
And makes the reader notice how, in a sound, can be noticed different levels of meaning.Because, as we see in the book, "the sound is the best way to share the perception of someone."Reining in the maze ofLucrecia Martelonly by the mass of sounds, the author analyzes the family and Catholicism, keys in the world of Martel.Silvina Ocampo.And, more unexpectedly, the influence of westerns and horror films and Class B, the weight of the oral narratives of Salta and dialogue with the literature ofHoracio QuirogaandSilvina Ocampo.
This book, by all means, enjoys not only as a film critic.Can also be read as a study of comparative criticism: not in the sense that confronts the filmography of two countries (Brazil and Argentina), but in a much deeper sense.It's the look of a Brazilian film about the work of an Argentinean director.No representations or false dramatics, Natalia watches and listens with the freshness of a foreign and wisdom of those who understand cinema. "
About the author:Natalia Christofoletti Barrenhais a doctoral student in the Graduate Program in Multimedia, State University of Campinas (Unicamp), in which he also developed his Master thesis - origin of this book.She graduated in Social Communication - Journalism from the Universidade Estadual Paulista (UNESP / Bauru).
5° Encontro Ficção Vivaem Curitiba-PR com a seguinte descrição:In May 2013, the Argentine filmmakerLucrecia Martel, known for making films with sophisticated audiovisual relationships and always be alert to the potential of the sound element in his works from the script, held a workshop on5th Meeting Fiction Livein Curitiba-PR with the following Description:
"Immersed in the air, as in a large empty pool of water, so we are.We grew from conversations, waves that travel through the air and around us, in the cross.But we consecrate our time to the eye.Is there a way to build the theater and from the sound of all sounds, that of the mother tongue.Brief reference to the construction of visual space based on sound, and script writing in layers. "
The projectFiction Vivarecently published the transcript of this workshop is available for viewing online.More a rich reference material for those who value and want to expand the possibilities for audiovisual creation in cinema.
The practice of direct sound capture this week won one of his main references ever written in Portuguese.A technical and practical manual to capture direct sound in audiovisual productions written by the Technical Head and Professor of the course of the Audiovisual Sound ECA / USP , João Godoy .
"The text presents a systematization of the work routine of professional direct sound and its implications with other technical areas of audiovisual realization.
As we know, direct sound is the sound picked up and recorded in sync with the images in a visual realization.The bond between the simultaneous capture sound and image determines work procedures employed by the professional direct sound.
The fidelity in the representation of acoustic events is shared by various professional fields that deal with sound material (recording industry, radio production, musicals, etc..), And the quality of the direct sound is also guided by this premise.However, the work done by the direct sound procedures employed are contingent upon the simultaneous capture of the image, as a rule, determines that the collection devices are out of frame, limiting the placement of the microphones.It is with this premise that organizes the working method of the direct sound. "
Gérard Corbiau, 2014) foi apresentado na 11ª Semana do Som na França, com o objetivo de aumentar a conscientização sobre a escala de decibéis e, em particular, sobre a dinâmica do som nas salas de cinema.The short film "The Nuances of Voice" (Gérard Corbiau, 2014) was presented at the 11th week of Sound in France, aiming to raise awareness about the decibel scale and, in particular, on the dynamics of sound in rooms movie.This was the second film co-produced by Week Sound educational purposes.In 2013 came the short film " Five point huh? "has sensitized the public regarding sound spatialization of rooms.
PS: The noise levels shown in the film are the ones you hear in a movie theater and not the speakers of a computer.
- Artisans of Sound is a nonprofit website created with the purpose of stimulating the development of improved culture and sound conscience; - All materials on this website are presented here only for educational purposes and are credited to their source when possible; - Do not wish to infringe on rights of any party under the trademark and / or copyright law direct. If someone holds copyright to any of the images, sounds, text and videos on this website, and object to their presence here please contact us and such material will be removed.